About
Biography, statements, solo and group shows, residencies, projects, catalogues and more.
Mission
The relation, interaction and relevance between the private and the public, that is what I am particularly interested in and how the public, political and social narrative of societies leave their traces in the private.
The questioning of the image as a depiction, as a visual narrative and as a supposed construction of reality is a central aspect of my artistic practice. The image, in my case this often means the photographic image, has long since left the representation of reality behind and consciously intervenes in the construction of the world (perception) in different areas and changes it. The world of images in which we live take possession of our thoughts, feelings and expectations and determine how we see the world. – There are hardly any places where we have not already been through pictures before we physically enter them for the first time. This creates a certain uniqueness and one-dimensionality of perception. In and with my work, I try to give back aspects of blurring to these actual shortenings of perception, to question familiar concepts of thinking and perceiving and to add other, new ones to traditional narratives.
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camera and editing: Robin Deutschbein, Cologne/GER
Biography
Swiss Artist Sibylle Feucht, born in Kaufbeuren (GER), grew up in Switzerland and lives and works in Bonn (GER) since 2010, before that she lived and worked in Basel (CH). She has a conceptual work approach and uses different media such as Photography, Video and Video Installation as well as melted together Plastic Beads.
She earned a Master in Science (Biology) from the University of Basel (Biozentrum) and the Molecular Biology Institute of the University of California, Los Angeles (UCLA), studied Art at F+F School for Art and New Media in Zurich (CH) and added an Executive Master in Design | Art + Innovation from the Academy of Art and Design, Basel (CH).
She was present in numerous solo- and group shows in Switzerland and abroad, had purchases by private collectors and governmental institutions and a number of studiobourses, e.g., Cité des Arts, Paris (F), Rotterdam (NL) (www.iaab.ch), Urban Residency Slavutych, in the frame of 86 FESTIVAL OF FILM AND URBANISM (Ukraine), Travel Grant by Frauenkulturbüro NorthRhineWestfalia (GER) for Armenia and Georgia. 2020 nominated for CityARTists NorthRhineWestfalia (GER), 2022 research residency in the frame of Goethe on Mallorca, Casa Planas and Goethe Institute Barcelona.
Since 2011 Launch and management of the artist-run, non-profit art space DAS ESSZIMMER – space for art+ in Bonn (GER).
Her work approach spans from classical photography to instagram-based
METASITU (Liva DUDAREVA Eduardo CASSINA), 2020
projects, large-scale projects in public space to wall installations using plastic beads, for example.
Before her artistic career, Sibylle was a Molecular Biologist:
this idea of dealing with the minute and the colossal, constellations of objects that come together at multi-scalar planes, is something that she very much took with her into her artistic career. Her work reflects on political, ecological and social issues that we all face by often focusing on the small things, the private and intimate perspectives that contain the
whole world. These connections and distances between the private
and the public run through all of her works.
Traveling and diving into other societies and cultures is an inherent part of her work approach, yet remaining respectful and mindful of the local context she is working with.
solo shows (selection)
| 2025 | Molekyl Galleri, Malmö/SE |
| 2024 | Tales from a River, Galerie L’oeuvre de l’Autre, Centre d’exposition de l’Université du Québec à Chicoutimi, Canada |
| 2022 | Aftermath/Mariupol, solo show and release of publication #143 with the independent Swiss Art Magazine _957, at Redaktion, Lucerne/SUI |
| 2019 | The Cable Car, Installation in Public Space, Severodonetsk/UA and Lyssytschansk/UA |
| 2018 | Slavutych@home, Installation in public space, Slavutych/UA |
| 2016 | Interface Error, Strümpfe – the supper artclub, Mannheim/GER |
| 2015 | SNAFU, Art at Tina Miyake, Dusseldorf/GER |
| 2013 | Kunst geht nach Brot, by Cynal, at CentrumGalerie, Dresden/GER | publication: cynal #02 |
| 2011 | take shelter, nachtspeicher23, Hamburg/GER |
| 2006 | …all my dreams, Forum Vebikus, Kammgarn, Schaffhausen/SUI |
| 2005 | Überdreht, thealit, Bremen/GER |
| 2003 | Remote Desire, Gallery Staub (later until 2017 Galery Rotwand), Zurich/SUI |
| Hohe Berge, Enge Täler, site specific Installation, CargoBar, Basel/SUI | |
| 1998 | en passant, Installation in public space, Cultural Center Scuol-Nairs (CH) |
| 1997 | Dislokation, Installation in trains of the Swiss Railway Company SBB (CH) |
group shows (selection)
| 2025 | ∑ SUMME Biennale, Basel/SUI |
| Packed up and ready to go, Redaktion Parking/Lucern, SUI | |
| 2024 | duo-show with Mary-Ruth Walsh, Space-o, Düsseldorf/GER |
| Materialities, Scala Trun, Trun/SUI | |
| heard of a van that`s loaded with weapons, Redaktion, Lucern/SUI | |
| 2023/24 | Live during Wartime, exhibition project supported by Visarte Basel at SPOT, Basel/SUI |
| 2023 | spin-off of the PORTRAITS – Hellerau Photography Awards 2023 at Mazars GmbH & Co. KG, Berlin/GER |
| Supermarket Independent Art fair, Stockholm/SE, featured by Scala Trun, Trun/SUI | |
| PORTRAITS – Hellerau Photography Awards 2023, Dresden/GER, group exhibition of the finalists at Dresden Technical Collections | |
| Weltraum, Basel/SUI, approach 01, with Lysann König, Anna Rudolf, Ana Vujic and Sibylle Feucht | |
| 2022/23 | FRAC Alsace, Sélestat/FR, l’Art e-s-t métier (Transmergence #04), also part of Regionale 23 |
| 2022 | Platforms Project 2022, Athens/GR, featured by DAS ESSZIMMER – space for art+ |
| Supermarket Independent Art fair, Stockholm/SE, featured by DAS ESSZIMMER – space for art+ | |
| Rudolf-Scharpf-Gallery of the Wilhelm-Hack-Museum, Ludwigshafen/GER, 25 years superart.tv | |
| 2021 | PASSAGE, exhibition project in public space at Kaiserpassage, Bonn/GER |
| 2020 | Künstlerhaus Dortmund, Dortmund/GER, Künstlereltern (engl.: Artist Parents) |
| Südtiroler Künstlerbund, Bozen/IT, Wohin geht die Reise – Alles ist Wechselwirkung (engl.: Where is the journey going? Everything is interaction), cooperation between Südtiroler Künstlerbund, Bozen/IT and Künstlerforum Bonn, Bonn/GER | |
| 2019 | Duo-Dia, part of Kellerlichter (engl.: Cellar Lights), Ebertplatz, Cologne/GER), Installation in Public Space, Slide projections and Light Installations |
| Künstlerforum Bonn, Bonn/GER, Wohin geht die Reise – Alles ist Wechselwirkung (engl.: Where is the journey going? Everything is interaction), cooperation between Südtiroler Künstlerbund, Bozen/IT and Künstlerforum Bonn, Bonn/GER | |
| ostrale Biennale 2019, Dresden/GER | |
| Platforms Project 2019, Athens/GR, featured by DAS ESSZIMMER – space for art+ | |
| Space52, Athens/GR, The Whole and it’s Parts through an urbanistique Lens, curated by DAS ESSZIMMER – space for art+ | |
| 2018 | DAS ESSZIMMER goes ID:I Galleri, Stockholm/SE |
| Platforms Project 2018, Athens/GR, featured by DAS ESSZIMMER – space for art+ | |
| Cargo Rebuilt, 20 years CargoBar Art Programme, Cargo Bar, Basel/SUI | |
| Darmstädter Tage der Fotografie, Perspektiven – Strategien fotografischen Handelns (engl.: Perspectives – Strategies for Photographic Action), Darmstadt/GER | |
| Künstlerforum Bonn, Bonn/GER, haus der fehler (engl.: home of mistakes) | |
| 2017 | tête, Berlin/GER – The next 100 years |
| Gallery Lausberg, Dusseldorf/GER | |
| 2016 | Kunstraum Dusseldorf, Dusseldorf/GER, 5 x 3, curated by Christoph Bucher |
| DAS ESSZIMMER goes Weltraum during Art Basel, Basel/SUI | |
| 2015 | Artothèque de Strasbourg, Strassbourg/FR, Regionale 16 |
| Frauenmuseum Bonn, Bonn/GER, Women in War and Peace, 15-45-15 | |
| thealit – Labor, Bremen/GER, Ordnung // Struktur | |
| DON’T TAKE PICTURES, New York/USA, City Life | |
| 2014 | DIENSTGEBÄUDE Zurich/SUI, catch of the year 2014 – 100 artists / 100 works |
| dock-Basel/SUI, GASTSPIEL – Kunst_stücke ins Licht getaucht | |
| Raum 2810, Bonn/GER, Auf den Punkt | |
| Photobastei Zurich/SUI, DAS ESSZIMMER goes | |
| 2013 | FABRIKculture, Hégenheim/FR, Regionale 14, curated by Françoise Theis |
| 2010 | artschool uk, Phase II at Whitechapel Gallery London/UK / Phase I at Cell Project Space, London/UK |
| Kultursommer Mels 2010 – Denkpause, Mels/SUI | |
| 2009 | ostrale 09, Dresden/GER |
| Villa Kolbe, Halle/Saale/GER, Grosse Kunstausstellung | |
| 2008 | contemporary art ruhr, fair for contemporary art, Zollverein Essen/GER, Förderkoje für KünstlerInnen / Funding booth for artists |
| thealit, Bremen/GER, Prototypisieren – Eine Messe für Theorie und Kunst | Publikation | |
| 2007 | Autonomes Cultur Centrum (ACC) Gallery Weimar, Weimar/GER, Le Souvenir, im Rahmen des Kunstfest Weimar |
| 2006/07 | Kunstraum Baden, Baden/SUI, Home Sweet Home, duo exhibition with Simone Müller, curated by Stefi Binder |
| 2006 | Gallery Staubkohler (2003 – 2007,afterwards Gallery Rotwand), Zurich/SUI, SPEED |
| 2003 | IN OUT, International Festival of The Digital Image, Prague/CZ |
| Trafo Gallery, Budapest/HU, selected works from the IN OUT Festival | |
| 2002/03 | Coninx Museum, Zurich/SUI, Ikonen. Kunst und Kult, catalogue |
| 2002 | VIPER_02, Basel/SUI, public – private, catalogue | my family_02, Video Installation in the foyer of the Theater Basel, Basel/SUI |
| 2001/02 | Galerie im Amtshimmel (later Kunstraum Baden), Baden/SUI, Altäre und Ikonen / Altars and Icons, duo exhibition with Philippe Winninger, curated by Stefi Binder |
| 2001 | Kasko, Basel/SUI, FrontFlipping, duo exhibition with Nicoletta West |
| Gallery Kabinett, Bern/SUI, Mobile Home, curated by Rolf Staub and Stefi Binder | |
| 1999/00 | Swiss Institute, New York, New York/USA, Shooting Stars, presented by Xposition |
Projects / Presentations
u003culu003ern tu003cliu003e2022 Project Presentation in the frame of the residency u003ca href=u0022https://www.goethe.de/ins/es/de/sta/bcn/ueb/prs/prm/23569343.htmlu0022 target=u0022_blanku0022 rel=u0022noopeneru0022u003eGoethe on Mallorcau003c/au003e at u003ca href=u0022https://www.esbaluard.org/u0022 target=u0022_blanku0022 rel=u0022noopeneru0022u003eEs Baluard Museum for contemporary art,u003c/au003e Palma/ESu003c/liu003ern tu003cliu003e2022 OpenStudio, u003ca href=u0022http://www.centreculturalcasaplanas.org/u0022 target=u0022_blanku0022 rel=u0022noopeneru0022u003eCasa Planasu003c/au003e, Palma/ES in the frame of the residency u003ca href=u0022https://www.goethe.de/ins/es/de/sta/bcn/ueb/prs/prm/23569343.htmlu0022 target=u0022_blanku0022 rel=u0022noopeneru0022u003eGoethe on Mallorcau003c/au003eu003c/liu003ern tu003cliu003e2019u003ca href=u0022https://www.studio20.am/en/sibylle-feucht-the-dream-of-homeu0022 target=u0022_blanku0022 rel=u0022noopeneru0022u003eu003cemu003e The Dream of Homeu003c/emu003eu003c/au003e, presentation and open discussion, u003ca href=u0022https://www.studio20.amu0022 target=u0022_blanku0022 rel=u0022noopeneru0022u003eStudio20u003c/au003e, Yerevan/AMu003c/liu003ern tu003cliu003e2018/19 u003ca href=u0022https://www.goethe.de/ins/ua/de/kul/sup/pdn/kon.htmlu0022 target=u0022_blanku0022 rel=u0022noopeneru0022u003eu003cemu003eRemote and Imminent: Culture and Conflictu003c/emu003eu003c/au003e, Project by u003ca href=u0022https://www.goethe.de/ins/ua/de/index.htmlu0022 target=u0022_blanku0022 rel=u0022noopeneru0022u003eGoethe Inst. Ukraineu003c/au003e and u003ca href=u0022http://www.gggg.org.ua/en/u0022 target=u0022_blanku0022 rel=u0022noopeneru0022u003eGarage Gangu003c/au003e, Kiew/UAu003c/liu003ern tu003cliu003esince 2011 Launch and management of the project space u003ca href=u0022https://www.dasesszimmer.com/u0022 target=u0022_blanku0022 rel=u0022noopeneru0022u003eDAS ESSZIMMER – space for art+, u003c/au003eBonn/GERu003c/liu003ern tu003cliu003e2006 u003cemu003eDas Konzept der Lückeu003c/emu003e (engl.: The concept of the Gap, text)u003c/liu003ern tu003cliu003e2004 u003cemu003evolvoxu003c/emu003e, art and research project in collaboration with u003ca href=u0022http://www.stöckerselig.chu0022 target=u0022_blanku0022 rel=u0022noopeneru0022u003eAnnette Stöcker, Christian Seligu003c/au003e (CH) and u003ca href=u0022http://www.reflexivity.netu0022 target=u0022_blanku0022 rel=u0022noopeneru0022u003eGabriele Fackleru003c/au003e, Zurich/SUIu003c/liu003ern tu003cliu003e2001 u003ca href=u0022https://iart.ch/work/helle-n%C3%A4chteu0022 target=u0022_blanku0022 rel=u0022noopeneru0022u003eu003cemu003eHelle Nächteu003c/emu003eu003c/au003eu003cemu003e.u003c/emu003e Photo Documentation, Basel/SUIu003c/liu003ern tu003cliu003e1996u003cemu003e u003c/emu003eu003cemu003eThe SwissTHINGu003c/emu003eu003cemu003e. Cluster. u003c/emu003e Internet Project u003cemu003eSprechende Körper/Talking Bodiesu003c/emu003e, Basel/SUIu003c/liu003ernu003c/ulu003e
Residencies / Stipends
u003culu003ern tu003cliu003e2024 Residency at Chicoutimi, Québec/CAN, invited by the artist group AMV (Art / Materialité / Visibilité), u003cemu003eu003ca href=u0022http://www.amvart.cau0022u003ewww.amvart.cau003c/au003eu003c/emu003eu003c/liu003ern tu003cliu003e2023 Residency at u003ca href=u0022http://bjorkokonstnod.se/u0022 target=u0022_blanku0022 rel=u0022noopeneru0022u003eBjörkö Konstnod,u003c/au003esupported by u003ca href=u0022https://culture.ec.europa.eu/creative-europe/creative-europe-culture-strand/culture-moves-europeu0022 target=u0022_blanku0022 rel=u0022noopeneru0022u003eculture moves europeu003c/au003eu003c/liu003ern tu003cliu003e2022 Research Residency u003cemu003eu003ca href=u0022https://www.goethe.de/ins/es/de/sta/bcn/ueb/prs/prm/23569343.htmlu0022 target=u0022_blanku0022 rel=u0022noopeneru0022u003eGoethe on Mallorcau003c/au003eu003c/emu003e by u003ca href=u0022https://www.goethe.de/ins/es/de/sta/bcn.htmlu0022 target=u0022_blanku0022 rel=u0022noopeneru0022u003eGoethe Institute Barcelonau003c/au003e at u003ca href=u0022http://www.centreculturalcasaplanas.org/u0022 target=u0022_blanku0022 rel=u0022noopeneru0022u003eCentre Cultural Casa Planas, Palma/ESu003c/au003eu003c/liu003ern tu003cliu003e2022 Project Stipend from Stiftung Kunstfonds/GER, in the frame of Neustart Kulturu003c/liu003ern tu003cliu003e2022 Project Stipend from Deutscher Künstlerbund/GER in the frame of Neustart Kultur | returnedu003c/liu003ern tu003cliu003e2022 Project Stipend NorthRhineWestphalia/GER | returnedu003c/liu003ern tu003cliu003e2021 Project Stipend VG Bildkunstu003c/liu003ern tu003cliu003e2021 Project Stipend NorthRhineWestphalia/GERu003c/liu003ern tu003cliu003e2020 nominated for u003ca href=u0022https://www.cityartists2020.de/u0022 target=u0022_blanku0022 rel=u0022noopeneru0022u003eCityArtists 2020u003c/au003eu003c/liu003ern tu003cliu003e2020 Project Stipend NorthRhineWestphalia/GERu003c/liu003ern tu003cliu003e2019 u003ca href=u0022https://www.frauenkulturbuero-nrw.de/index.php/interviews/sibylle-feucht/u0022 target=u0022_blanku0022 rel=u0022noopeneru0022u003eFrauenkulturbüro NRWu003c/au003e, Residency Yerevan (Armenia) and Tbilisi (Georgia)u003c/liu003ern tu003cliu003e2018 Urban Residency, Slavutych (Ukraine) in the frame of the u003ca href=u0022http://www.86.org.ua/enu0022 target=u0022_blanku0022 rel=u0022noopeneru0022u003einternational 86Festival on Filmu003c/au003e and Urbanism,u003c/liu003ern tu003cliu003e2010 art council Basel Stadt/SUI, Projectfunding u003cemu003eartschool uku003c/emu003eu003c/liu003ern tu003cliu003e2002 u003ca href=u0022http://www.iaab.ch/u0022 target=u0022_blanku0022 rel=u0022noopeneru0022u003eRotterdam residencyu003c/au003e (3 month). u003ca href=u0022https://www.cms-basel.ch/de/aktuell.htmlu0022 target=u0022_blanku0022 rel=u0022noopeneru0022u003eChristoph Merian Foundationu003c/au003e, Basel/SUIu003c/liu003ern tu003cliu003e1999 Paris residency u003ca href=u0022https://www.citedesartsparis.net/u0022 target=u0022_blanku0022 rel=u0022noopeneru0022u003eCité internationale des Artsu003c/au003e (6 month), art council canton Basel-Landschaft/SUIu003c/liu003ern tu003cliu003e1998 project funding Film/Video/Foto from the canton Basel-Stadt and Basel-Landschaft/SUIu003c/liu003ern tu003cliu003e1998 u003ca href=u0022https://nairs.ch/de/u0022 target=u0022_blanku0022 rel=u0022noopeneru0022u003eresidency Scuol-Nairsu003c/au003e, u003ca href=u0022https://www.binz39.ch/u0022 target=u0022_blanku0022 rel=u0022noopeneru0022u003eBINZ39u003c/au003e and Pro Engiadina Bassa/SUIu003c/liu003ern tu003cliu003e1997 project funding Film/Video/Foto from the canton Basel-Stadt and Basel-Landschaft/SUIu003c/liu003ernu003c/ulu003e
in Collections
u003culu003ern tu003cliu003eArt Collection of the city of Baden/SUIu003c/liu003ern tu003cliu003eArt Collection of the city of Basel/SUIu003c/liu003ern tu003cliu003eArt Collection of the Canton Basel-Landschaft/SUIu003c/liu003ern tu003cliu003ePrivate Collections in Basel, Zug, Baden and Zurich/SUIu003c/liu003ernu003c/ulu003e
Publications
u003culu003ern tu003cliu003e2024 u003cstrongu003e_957u003c/strongu003e, Independent Swiss Art Magazine, Issue u003cemu003e164_HEARD OF A VAN THAT‘S LOADED WITH WEAPONS | u003ca href=u0022http://957.ch/u0022u003e957.ch/ u003c/au003eu003c/emu003eu003c/liu003ern tu003cliu003e2023u003cstrongu003e DER GREIFu003c/strongu003e, online Guest Room with Annekathrin Kohout | u003cemu003eu003ca href=u0022https://dergreif-online.de/guest-room/annekathrin-kohout/u0022u003edergreif-online.de/guest-room/annekathrin-kohout/u003c/au003eu003c/emu003eu003c/liu003ern tu003cliu003e2023 u003cstrongu003eFRAC Alsaceu003c/strongu003e – l´Art e-s-t métier (Transmergence #04), u003cemu003eu003ca href=u0022https://regionale.org/u0022u003eregionale.org/u003c/au003e, u003c/emu003eSélestat/FR, exhibition publication in preparation | u003cemu003eu003ca href=u0022https://frac-alsace.orgu0022u003efrac-alsace.orgu003c/au003eu003c/emu003eu003c/liu003ern tu003cliu003e2022 u003cemu003e#143 Aftermath / Mariupolu003c/emu003e with the independent u003ca href=u0022http://www.957.ch/Aftermath___Mariupol.htmlu0022 target=u0022_blanku0022 rel=u0022noreferrer noopeneru0022u003eart magazine _957u003c/au003e. – The publication has a u003ca href=u0022https://atworld.ch/the-world-by-sf/aftermath-mariupol-ukraine/u0022 target=u0022_blanku0022 rel=u0022noreferrer noopeneru0022u003edigital extensionu003c/au003e.u003c/liu003ern tu003cliu003e2018u003ca href=u0022https://dtdf.de/u0022 target=u0022_blanku0022 rel=u0022noopeneru0022u003eu003cemu003e Darmstädter Tage der Fotografieu003c/emu003eu003c/au003e, Darmstadt (GER), u003ca href=u0022https://dtdf.de/festival-2018/katalog-2018/u0022 target=u0022_blanku0022 rel=u0022noopeneru0022u003ecatalogueu003c/au003eu003c/liu003ern tu003cliu003e2017 u003ca href=u0022https://www.itch.co.za/archive/issue-20/item/1920-aesthetics-of-security-|-2013u0022 target=u0022_blanku0022 rel=u0022noopeneru0022u003eu003cemu003eItchu003c/emu003e No. 20u003c/au003e, creative journal from new Zealand, cover, artist contributionu003c/liu003ern tu003cliu003e2016 Publication for the u003cemu003eu003ca href=u0022http://www.kunstraum-duesseldorf.de/pages/5×3/2016/2016_bucher.htmlu0022 target=u0022_blanku0022 rel=u0022noopeneru0022u003eexhibition 5 x 3u003c/au003e, 2016, u003c/emu003eu003ca href=u0022http://www.kunstraum-duesseldorf.de/pages/aktuell.htmlu0022 target=u0022_blanku0022 rel=u0022noopeneru0022u003eKunstraum Düsseldorfu003c/au003e, Düsseldorf (GER)u003c/liu003ern tu003cliu003e2015 u003ca href=u0022https://www.frauenmuseum.de/kataloge/kataloge/u0022 target=u0022_blanku0022 rel=u0022noopeneru0022u003eCatalogueu003c/au003e of the exhibition u003cemu003eWomen in War and Peaceu003c/emu003e (dt.: u003cemu003eFrauen in Krieg und Frieden), u003c/emu003eu003ca href=u0022https://www.frauenmuseum.de/u0022 target=u0022_blanku0022 rel=u0022noopeneru0022u003eFrauenmuseum Bonnu003c/au003e (GER) – 15-45-15 | ISBN 978-3-940482-85u003c/liu003ern tu003cliu003e2014 u003cemu003eLASSO Magazinu003c/emu003e, No. 6 – u003cemu003eSchöne neue Welt (engl.: Brave New World)u003c/emu003e | artist contribution: u003cemu003eAesthetics of Securityrnu003c/emu003eu003c/liu003ern tu003cliu003e2013 u003cemu003ecynal_02u003c/emu003e u003cemu003eKunst geht nach Brot u003c/emu003e(u003cemu003eengl.:u003c/emu003e „art pursues bread“, from the play u003cemu003eEmilia Galotti u003c/emu003eby G. E. Lessing) | artist contribution with images from the u003cemu003efoldsu003c/emu003e seriesu003c/liu003ern tu003cliu003e2012 u003ca href=u0022https://www.nzz.ch/meinung/foto-tableau/bildstrecke/sibylle-feucht-1.17628473#lg=1u0026amp;slide=0u0022 target=u0022_blanku0022 rel=u0022noopeneru0022u003eu003cemu003eFoto Tableau, Neue Zürcher Zeitung (NZZ)u003c/emu003eu003c/au003e, 24. – 28. September 2012, images from the photographic series u003cemu003eFolds of Lifeu003c/emu003e, Tokyo, 2012u003c/liu003ern tu003cliu003e2011 u003ca href=u0022https://www.ideabooks.nl/9789460830440-basel-rotterdam-rotterdam-baselu0022 target=u0022_blanku0022 rel=u0022noopeneru0022u003eu003cemu003eBasel – Rotterdam / Rotterdam Baselu003c/emu003eu003c/au003e, 10 Years of Artists in Residence and Cultural Exchange | artistic contribution, Publisher Post Editions (NL), ISBN: 9789460830440u003c/liu003ern tu003cliu003e2009 u003cuu003eSusanne Bauer, Ulrike Bergermann, Christine Hanke, Helene von Oldenburg,u003c/uu003eu003ca href=u0022https://www.andreasick.de/u0022 target=u0022_blanku0022 rel=u0022noopeneru0022u003eu003cuu003e Andrea Sicku003c/uu003eu003c/au003e (Hrg.): u003ca href=u0022https://www.thealit.de/prototypisierenu0022 target=u0022_blanku0022 rel=u0022noopeneru0022u003eu003cemu003ePROTOTYPISIERENu003c/emu003eu003c/au003e – Eine Messe für Theorie und Kunst, thealit Frauen.Kultur.Labor, Bremen, 272 Seiten, ISBN: 978-3-930924-14 | u003cuu003eSibylle Feuchtu003c/uu003e: … u003cemu003e– Die Lücke zwischen den Punkten oder: Woher kommt der Prototypu003c/emu003eu003c/liu003ern tu003cliu003e2006 u003cuu003eSibylle Feuchtu003c/uu003e: u003cemu003ePORN 1u003c/emu003e – ein Daumenkino, Künstlerbuch (2+1)u003c/liu003ern tu003cliu003eu003cuu003e2006 Sibylle Feuchtu003c/uu003e:u003cemu003e ‚Das Konzept der Lücke – Skizze einer Metaphysik der Wahrnehmung’u003c/emu003e, Diplomarbeit, Nachdiplomstudium in Design | Art + Innovation, HGK Baselu003c/liu003ern tu003cliu003e2006 u003cuu003eSibylle Feuchtu003c/uu003e: u003cemu003e‚Interpretation als Origami – Versuch einer Interpretation der Interpretation’, Zwischenprüfung II, u003c/emu003eNachdiplomstudium in Design | Art + Innovation, HGK Baselu003c/liu003ern tu003cliu003e2005 u003cuu003eSibylle Feuchtu003c/uu003e: u003cemu003e‚Was ist ein Bild? – Die Sehnsucht nach dem Blick hinter den (gemalten) Vorhang’, Zwischenprüfung I, u003c/emu003eNachdiplomstudium in Design | Art + Innovation, HGK Baselu003c/liu003ern tu003cliu003e2005 u003cuu003eAndrea Sicku003c/uu003e (Hrg.): u003ca href=u0022https://www.thealit.de/ueberdrehtu0022 target=u0022_blanku0022 rel=u0022noopeneru0022u003eu003cemu003eÜberdreht – Spindoctoring, Politik, Medienu003c/emu003eu003c/au003e, thealit Frauen.Kultur.Labor, Bremen – ISBN 3930924-11-00 / u003cuu003eSibylle Feuchtu003c/uu003e: u003cemu003emy_family_04u003c/emu003e, S. 339u003c/liu003ern tu003cliu003eviper_02, Basel, public|private, catalogueu003c/liu003ern tu003cliu003e1999 u003cuu003eSibylle Feucht.u003c/uu003e u003cemu003ePassage.u003c/emu003e CH – Creatio Helveticau003c/liu003ern tu003cliu003e1997 u003cuu003eSibylle Feuchtu003c/uu003e. u003cemu003eDislokation – Eine Installation in Zügenu003c/emu003e. Artist Book (10+1)u003c/liu003ern tu003cliu003e1997 u003cuu003eSibylle Feucht.u003c/uu003e u003cemu003eVorTrag Nr. 7 – Die Heilige 3-Faltigkeitu003c/emu003e. Artist Book (35).u003c/liu003ern tu003cliu003e1997 u003cuu003eSibylle Feuchtu003c/uu003e u003cemu003eVorTrag Nr. 8 – Definitionen 1+2u003c/emu003e. Artist Book (35)u003c/liu003ern tu003cliu003eu003c/liu003ernu003c/ulu003e
Bibliography / Publications / Press
u003culu003ern tu003cliu003e2014u003ca href=u0022http://gudrunvonschoenebeck.de/kontakt/kontakt.htmlu0022 target=u0022_blanku0022 rel=u0022noopeneru0022u003eu003cuu003e Gudrun von Schoenebecku003c/uu003eu003c/au003e, u003cemu003ePunkte und Standpunkteu003c/emu003e (Zur Ausstellung u003cemu003eAuf den Punktu003c/emu003e, Raum 2810, Bonn), General-Anzeiger, 15.9.2014u003c/liu003ern tu003cliu003e2012 u003cuu003eChristine Schicku003c/uu003e, u003cemu003eDie Brüchigkeit des scheinbar Wertvollenu003c/emu003e (Zur Ausstellung im Kunstfenster Wolkenhof, Murrhardt (D), Murrhardter Zeitung, 14.11.2012u003c/liu003ern tu003cliu003e2006 u003cuu003eEvelyne Baumbergeru003c/uu003e, u003cemu003eZerschlagene Träumeu003c/emu003e (Zur Ausstellung u003cemu003eHome Sweet Homeu003c/emu003e im Kunstraum Baden), Mittellandzeitung (MZ), 8. Dezember 2006u003c/liu003ern tu003cliu003eu003ca href=u0022https://annelisezwez.ch/u0022 target=u0022_blanku0022 rel=u0022noopeneru0022u003eu003cuu003eAnnelise Zwezu003c/uu003eu003c/au003e, u003cemu003eIm Zeichen der Zweideutigkeitu003c/emu003e (Zur Vernissage der Ausstellung u003cemu003eHome Sweet Homeu003c/emu003e im Kunstraum Baden), LIVE – Veranstaltungsmagazin der Aargauer Zeitung, 7. Dezember 2006u003c/liu003ern tu003cliu003eu003cemu003eVon Schmelzenden Perlen und Roten Punktenu003c/emu003e (zur Vernissage der Doppelausstellung im Forum Vebikus, Kammgarn, Schaffhausen), Schaffhauser Zeitungu003c/liu003ern tu003cliu003e2003 u003cuu003eSabine Arlittu003c/uu003e, u003cemu003ePerlensucheu003c/emu003e – züritipp 10.1.-16.1.2002u003c/liu003ern tu003cliu003e2002 u003cuu003eMichèle Binswangeru003c/uu003e, u003cemu003eWundersames Bestiariumu003c/emu003e (zur Regionale 2002) BaZ-Magazin Nr. 48, 30.11.2002u003c/liu003ern tu003cliu003eu003cuu003eKathrin Halteru003c/uu003e, u003cemu003eViper 2002u003c/emu003e – Tages-Anzeiger, Ausgabe vom 29.10.2002u003c/liu003ern tu003cliu003e2001 u003cemu003eAltäre und Ikonenu003c/emu003e, Kunstbulletin, Ausgabe 12, 2001u003c/liu003ern tu003cliu003eu003cuu003e Marlene Halteru003c/uu003e, u003cemu003eLiebe zu Plastiku003c/emu003e, LIVE – Veranstaltungsmagazin der Aargauer Zeitung, Ausgabe 45,u003c/liu003ern tu003cliu003eu003ca href=u0022https://de.wikipedia.org/wiki/Annemarie_Monteilu0022 target=u0022_blanku0022 rel=u0022noopeneru0022u003eu003cuu003eAnnemarie Monteillu003c/uu003eu003c/au003e, u003cemu003eSibylle Feucht: Alltag und Gardinenmystiku003c/emu003e, Baz – Magazin (weekend edition). August 4 2001u003c/liu003ern tu003cliu003e u003cemu003eMobile Homeu003c/emu003e, Kunstbulletin, Ausgabe 7/8, 2001u003c/liu003ern tu003cliu003e1997 u003cemu003ePendeln als geistige Lebensformu003c/emu003e, NZZ, 17. Juni 1997u003c/liu003ern tu003cliu003e u003cemu003eEine gewisse Verdopplungu003c/emu003e, Tages-Anzeiger, 14./15. Juni 1997u003c/liu003ernu003c/ulu003e