Mission
The relation, interaction and relevance between the private and the public, that is what I am particularly interested in and how the public, political and social narrative of societies leave their traces in the private.
The questioning of the image as a depiction, as a visual narrative and as a supposed construction of reality is a central aspect of my artistic practice. The image, in my case this often means the photographic image, has long since left the representation of reality behind and consciously intervenes in the construction of the world (perception) in different areas and changes it. The world of images in which we live take possession of our thoughts, feelings and expectations and determine how we see the world. – There are hardly any places where we have not already been through pictures before we physically enter them for the first time. This creates a certain uniqueness and one-dimensionality of perception. In and with my work, I try to give back aspects of blurring to these actual shortenings of perception, to question familiar concepts of thinking and perceiving and to add other, new ones to traditional narratives.
Biography
Swiss Artist Sibylle Feucht, born in Kaufbeuren (GER), grew up in Switzerland and lives and works in Bonn (GER) since 2010, before that she lived and worked in Basel (CH). She has a conceptual work approach and uses different media such as Photography, Video and Video Installation as well as melted together Plastic Beads.
She earned a Master in Science (Biology) from the University of Basel (Biozentrum) and the Molecular Biology Institute of the University of California, Los Angeles (UCLA), studied Art at F+F School for Art and New Media in Zurich (CH) and added an Executive Master in Design | Art + Innovation from the Academy of Art and Design, Basel (CH).
She was present in numerous solo- and group shows in Switzerland and abroad, had purchases by private collectors and governmental institutions and a number of studiobourses, e.g., Cité des Arts, Paris (F), Rotterdam (NL) (www.iaab.ch), Urban Residency Slavutych, in the frame of 86 FESTIVAL OF FILM AND URBANISM (Ukraine), Travel Grant by Frauenkulturbüro NorthRhineWestfalia (GER) for Armenia and Georgia. 2020 nominated for CityARTists NorthRhineWestfalia (GER), 2022 research residency in the frame of Goethe on Mallorca, Casa Planas and Goethe Institute Barcelona.
Since 2011 Launch and management of the artist-run, non-profit art space DAS ESSZIMMER – space for art+ in Bonn (GER).
Her work approach spans from classical photography to instagram-based
METASITU (Liva DUDAREVA Eduardo CASSINA), 2020
projects, large-scale projects in public space to wall installations using plastic beads, for example.
Before her artistic career, Sibylle was a Molecular Biologist:
this idea of dealing with the minute and the colossal, constellations of objects that come together at multi-scalar planes, is something that she very much took with her into her artistic career. Her work reflects on political, ecological and social issues that we all face by often focusing on the small things, the private and intimate perspectives that contain the
whole world. These connections and distances between the private
and the public run through all of her works.
Traveling and diving into other societies and cultures is an inherent part of her work approach, yet remaining respectful and mindful of the local context she is working with.
solo shows (selection)
2022 | Aftermath/Mariupol, solo show and release of publication #143 with the independent Swiss Art Magazine _957, at Redaktion, Lucerne/SUI |
2019 | The Cable Car, Installation in Public Space, Severodonetsk/UA and Lyssytschansk/UA |
2018 | Slavutych@home, Installation in public space, Slavutych/UA |
2016 | Interface Error, Strümpfe – the supper artclub, Mannheim/GER |
2015 | SNAFU, Art at Tina Miyake, Dusseldorf/GER |
2013 | Kunst geht nach Brot, by Cynal, at CentrumGalerie, Dresden/GER | publication: cynal #02 |
2011 | take shelter, nachtspeicher23, Hamburg/GER |
2006 | …all my dreams, Forum Vebikus, Kammgarn, Schaffhausen/SUI |
2005 | Überdreht, thealit, Bremen/GER |
2003 | Remote Desire, Gallery Staub (later until 2017 Galery Rotwand), Zurich/SUI |
Hohe Berge, Enge Täler, site specific Installation, CargoBar, Basel/SUI | |
1998 | en passant, Installation in public space, Cultural Center Scuol-Nairs (CH) |
1997 | Dislokation, Installation in trains of the Swiss Railway Company SBB (CH) |
group shows (selection)
2023 | spin-off of the PORTRAITS – Hellerau Photography Awards 2023 at Mazars GmbH & Co. KG, Berlin/GER |
2023 | Supermarket Independent Art fair, Stockholm/SE, featured by Scala Trun, Trun/SUI |
2023 | PORTRAITS – Hellerau Photography Awards 2023, Dresden/GER, group exhibition of the finalists at Dresden Technical Collections |
2023 | Weltraum, Basel/SUI, approach 01, with Lysann König, Anna Rudolf, Ana Vujic and Sibylle Feucht |
2022/23 | FRAC Alsace, Sélestat/FR, l’Art e-s-t métier (Transmergence #04), also part of Regionale 23 |
2022 | Platforms Project 2022, Athens/GR, featured by DAS ESSZIMMER – space for art+ |
2022 | Supermarket Independent Art fair, Stockholm/SE, featured by DAS ESSZIMMER – space for art+ |
2022 | Rudolf-Scharpf-Gallery of the Wilhelm-Hack-Museum, Ludwigshafen/GER, 25 years superart.tv |
2021 | PASSAGE, exhibition project in public space at Kaiserpassage, Bonn/GER |
2020 | Künstlerhaus Dortmund, Dortmund/GER, Künstlereltern (engl.: Artist Parents) |
2020 | Südtiroler Künstlerbund, Bozen/IT, Wohin geht die Reise – Alles ist Wechselwirkung (engl.: Where is the journey going? Everything is interaction), cooperation between Südtiroler Künstlerbund, Bozen/IT and Künstlerforum Bonn, Bonn/GER |
2019 | Duo-Dia, part of Kellerlichter (engl.: Cellar Lights), Ebertplatz, Cologne/GER), Installation in Public Space, Slide projections and Light Installations |
2019 | Künstlerforum Bonn, Bonn/GER, Wohin geht die Reise – Alles ist Wechselwirkung (engl.: Where is the journey going? Everything is interaction), cooperation between Südtiroler Künstlerbund, Bozen/IT and Künstlerforum Bonn, Bonn/GER |
2019 | ostrale Biennale 2019, Dresden/GER |
2019 | Platforms Project 2019, Athens/GR, featured by DAS ESSZIMMER – space for art+ |
2019 | Space52, Athens/GR, The Whole and it’s Parts through an urbanistique Lens, curated by DAS ESSZIMMER – space for art+ |
2018 | DAS ESSZIMMER goes ID:I Galleri, Stockholm/SE |
2018 | Platforms Project 2018, Athens/GR, featured by DAS ESSZIMMER – space for art+ |
2018 | Cargo Rebuilt, 20 years CargoBar Art Programme, Cargo Bar, Basel/SUI |
2018 | Darmstädter Tage der Fotografie, Perspektiven – Strategien fotografischen Handelns (engl.: Perspectives – Strategies for Photographic Action), Darmstadt/GER |
2018 | Künstlerforum Bonn, Bonn/GER, haus der fehler (engl.: home of mistakes) |
2017 | tête, Berlin/GER – The next 100 years |
2017 | Gallery Lausberg, Dusseldorf/GER |
2016 | Kunstraum Dusseldorf, Dusseldorf/GER, 5 x 3, curated by Christoph Bucher |
2016 | DAS ESSZIMMER goes Weltraum during Art Basel, Basel/SUI |
2015 | Artothèque de Strasbourg, Strassbourg/FR, Regionale 16 |
2015 | Frauenmuseum Bonn, Bonn/GER, Women in War and Peace, 15-45-15 |
2015 | thealit – Labor, Bremen/GER, Ordnung // Struktur |
2015 | DON’T TAKE PICTURES, New York/USA, City Life |
2014 | DIENSTGEBÄUDE Zurich/SUI, catch of the year 2014 – 100 artists / 100 works |
2014 | dock-Basel/SUI, GASTSPIEL – Kunst_stücke ins Licht getaucht |
2014 | Raum 2810, Bonn/GER, Auf den Punkt |
2014 | Photobastei Zurich/SUI, DAS ESSZIMMER goes |
2013 | FABRIKculture, Hégenheim/FR, Regionale 14, curated by Françoise Theis |
2010 | artschool uk, Phase II at Whitechapel Gallery London/UK / Phase I at Cell Project Space, London/UK |
2010 | Kultursommer Mels 2010 – Denkpause, Mels/SUI |
2009 | ostrale 09, Dresden/GER |
2009 | Villa Kolbe, Halle/Saale/GER, Grosse Kunstausstellung |
2008 | contemporary art ruhr, fair for contemporary art, Zollverein Essen/GER, Förderkoje für KünstlerInnen / Funding booth for artists |
2008 | thealit, Bremen/GER, Prototypisieren – Eine Messe für Theorie und Kunst | Publikation |
2007 | Autonomes Cultur Centrum (ACC) Gallery Weimar, Weimar/GER, Le Souvenir, im Rahmen des Kunstfest Weimar |
2006/07 | Kunstraum Baden, Baden/SUI, Home Sweet Home, duo exhibition with Simone Müller, curated by Stefi Binder |
2006 | Gallery Staubkohler (2003 – 2007,afterwards Gallery Rotwand), Zurich/SUI, SPEED |
2003 | IN OUT, International Festival of The Digital Image, Prague/CZ |
2003 | Trafo Gallery, Budapest/HU, selected works from the IN OUT Festival |
2002/03 | Coninx Museum, Zurich/SUI, Ikonen. Kunst und Kult, catalogue |
2002 | VIPER_02, Basel/SUI, public – private, catalogue | my family_02, Video Installation in the foyer of the Theater Basel, Basel/SUI |
2001/02 | Galerie im Amtshimmel (later Kunstraum Baden), Baden/SUI, Altäre und Ikonen / Altars and Icons, duo exhibition with Philippe Winninger, curated by Stefi Binder |
2001 | Kasko, Basel/SUI, FrontFlipping, duo exhibition with Nicoletta West |
2001 | Gallery Kabinett, Bern/SUI, Mobile Home, curated by Rolf Staub and Stefi Binder |
1999/00 | Swiss Institute, New York, New York/USA, Shooting Stars, presented by Xposition |
Projects / Presentations
- 2022 Project Presentation in the frame of the residency Goethe on Mallorca at Es Baluard Museum for contemporary art, Palma/ES
- 2022 OpenStudio, Casa Planas, Palma/ES in the frame of the residency Goethe on Mallorca
- 2019 The Dream of Home, presentation and open discussion, Studio20, Yerevan/AM
- 2018/19 Remote and Imminent: Culture and Conflict, Project by Goethe Inst. Ukraine and Garage Gang, Kiew/UA
- since 2011 Launch and management of the project space DAS ESSZIMMER – space for art+, Bonn/GER
- 2006 Das Konzept der Lücke (engl.: The concept of the Gap, text)
- 2004 volvox, art and research project in collaboration with Annette Stöcker, Christian Selig (CH) and Gabriele Fackler, Zurich/SUI
- 2001 Helle Nächte. Photo Documentation, Basel/SUI
- 1996 The SwissTHING. Cluster. Internet Project Sprechende Körper/Talking Bodies, Basel/SUI
Residencies / Stipends
- 2023 Residency at Björkö Konstnod,supported by culture moves europe
- 2022 Research Residency Goethe on Mallorca by Goethe Institute Barcelona at Centre Cultural Casa Planas, Palma/ES
- 2022 Project Stipend from Stiftung Kunstfonds/GER, in the frame of Neustart Kultur
- 2022 Project Stipend from Deutscher Künstlerbund/GER in the frame of Neustart Kultur | returned
- 2022 Project Stipend NorthRhineWestphalia/GER | returned
- 2021 Project Stipend VG Bildkunst
- 2021 Project Stipend NorthRhineWestphalia/GER
- 2020 nominated for CityArtists 2020
- 2020 Project Stipend NorthRhineWestphalia/GER
- 2019 Frauenkulturbüro NRW, Residency Yerevan (Armenia) and Tbilisi (Georgia)
- 2018 Urban Residency, Slavutych (Ukraine) in the frame of the international 86Festival on Film and Urbanism,
- 2010 art council Basel Stadt/SUI, Projectfunding artschool uk
- 2002 Rotterdam residency (3 month). Christoph Merian Foundation, Basel/SUI
- 1999 Paris residency Cité internationale des Arts (6 month), art council canton Basel-Landschaft/SUI
- 1998 project funding Film/Video/Foto from the canton Basel-Stadt and Basel-Landschaft/SUI
- 1998 residency Scuol-Nairs, BINZ39 and Pro Engiadina Bassa/SUI
- 1997 project funding Film/Video/Foto from the canton Basel-Stadt and Basel-Landschaft/SUI
in Collections
- Art Collection of the city of Baden/SUI
- Art Collection of the city of Basel/SUI
- Art Collection of the Canton Basel-Landschaft/SUI
- Private Collections in Basel, Zug, Baden and Zurich/SUI
Publications
- 2022 #143 Aftermath / Mariupol with the independent art magazine _957. – The publication has a digital extension.
- 2018 Darmstädter Tage der Fotografie, Darmstadt (GER), catalogue
- 2017 Itch No. 20, creative journal from new Zealand, cover, artist contribution
- 2016 Publication for the exhibition 5 x 3, 2016, Kunstraum Düsseldorf, Düsseldorf (GER)
- 2015 Catalogue of the exhibition Women in War and Peace (dt.: Frauen in Krieg und Frieden), Frauenmuseum Bonn (GER) – 15-45-15 | ISBN 978-3-940482-85
- 2014 LASSO Magazin, No. 6 – Schöne neue Welt (engl.: Brave New World) | artist contribution: Aesthetics of Security
- 2013 cynal_02 Kunst geht nach Brot (engl.: „art pursues bread“, from the play Emilia Galotti by G. E. Lessing) | artist contribution with images from the folds series
- 2012 Foto Tableau, Neue Zürcher Zeitung (NZZ), 24. – 28. September 2012, images from the photographic series Folds of Life, Tokyo, 2012
- 2011 Basel – Rotterdam / Rotterdam Basel, 10 Years of Artists in Residence and Cultural Exchange | artistic contribution, Publisher Post Editions (NL), ISBN: 9789460830440
- 2009 Susanne Bauer, Ulrike Bergermann, Christine Hanke, Helene von Oldenburg, Andrea Sick (Hrg.): PROTOTYPISIEREN – Eine Messe für Theorie und Kunst, thealit Frauen.Kultur.Labor, Bremen, 272 Seiten, ISBN: 978-3-930924-14 | Sibylle Feucht: … – Die Lücke zwischen den Punkten oder: Woher kommt der Prototyp
- 2006 Sibylle Feucht: PORN 1 – ein Daumenkino, Künstlerbuch (2+1)
- 2006 Sibylle Feucht: ‚Das Konzept der Lücke – Skizze einer Metaphysik der Wahrnehmung’, Diplomarbeit, Nachdiplomstudium in Design | Art + Innovation, HGK Basel
- 2006 Sibylle Feucht: ‚Interpretation als Origami – Versuch einer Interpretation der Interpretation’, Zwischenprüfung II, Nachdiplomstudium in Design | Art + Innovation, HGK Basel
- 2005 Sibylle Feucht: ‚Was ist ein Bild? – Die Sehnsucht nach dem Blick hinter den (gemalten) Vorhang’, Zwischenprüfung I, Nachdiplomstudium in Design | Art + Innovation, HGK Basel
- 2005 Andrea Sick (Hrg.): Überdreht – Spindoctoring, Politik, Medien, thealit Frauen.Kultur.Labor, Bremen – ISBN 3930924-11-00 / Sibylle Feucht: my_family_04, S. 339
- viper_02, Basel, public|private, catalogue
- 1999 Sibylle Feucht. Passage. CH – Creatio Helvetica
- 1997 Sibylle Feucht. Dislokation – Eine Installation in Zügen. Artist Book (10+1)
- 1997 Sibylle Feucht. VorTrag Nr. 7 – Die Heilige 3-Faltigkeit. Artist Book (35).
- 1997 Sibylle Feucht VorTrag Nr. 8 – Definitionen 1+2. Artist Book (35)
Bibliography / Publications / Press
- 2014 Gudrun von Schoenebeck, Punkte und Standpunkte (Zur Ausstellung Auf den Punkt, Raum 2810, Bonn), General-Anzeiger, 15.9.2014
- 2012 Christine Schick, Die Brüchigkeit des scheinbar Wertvollen (Zur Ausstellung im Kunstfenster Wolkenhof, Murrhardt (D), Murrhardter Zeitung, 14.11.2012
- 2006 Evelyne Baumberger, Zerschlagene Träume (Zur Ausstellung Home Sweet Home im Kunstraum Baden), Mittellandzeitung (MZ), 8. Dezember 2006
- Annelise Zwez, Im Zeichen der Zweideutigkeit (Zur Vernissage der Ausstellung Home Sweet Home im Kunstraum Baden), LIVE – Veranstaltungsmagazin der Aargauer Zeitung, 7. Dezember 2006
- Von Schmelzenden Perlen und Roten Punkten (zur Vernissage der Doppelausstellung im Forum Vebikus, Kammgarn, Schaffhausen), Schaffhauser Zeitung
- 2003 Sabine Arlitt, Perlensuche – züritipp 10.1.-16.1.2002
- 2002 Michèle Binswanger, Wundersames Bestiarium (zur Regionale 2002) BaZ-Magazin Nr. 48, 30.11.2002
- Kathrin Halter, Viper 2002 – Tages-Anzeiger, Ausgabe vom 29.10.2002
- 2001 Altäre und Ikonen, Kunstbulletin, Ausgabe 12, 2001
- Marlene Halter, Liebe zu Plastik, LIVE – Veranstaltungsmagazin der Aargauer Zeitung, Ausgabe 45,
- Annemarie Monteill, Sibylle Feucht: Alltag und Gardinenmystik, Baz – Magazin (weekend edition). August 4 2001
- Mobile Home, Kunstbulletin, Ausgabe 7/8, 2001
- 1997 Pendeln als geistige Lebensform, NZZ, 17. Juni 1997
- Eine gewisse Verdopplung, Tages-Anzeiger, 14./15. Juni 1997